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Review: Stop Hitting Yourself
The Rude Mechs of Austin, Texas, take on money, greed, and inequality with tap-dancing and queso.
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Review: The Threepenny Opera
Martha Clarke stages a middling revival of the classic Kurt Weill-Bertolt Brecht collaboration.
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Review: Donogoo
The Mint Theater presents lighthearted cynicism in Technicolor with this comedy romp about financial speculation and faulty science.
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Review: The Invisible Hand
This New York debut from the author of Broadway's Disgraced examines the relationship between capitalism and terrorism.
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Review: Winners and Losers
Marcus Youssef and James Long make us all feel really uncomfortable at Soho Rep.
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